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- Outlaw : Waylon, Willie, Kris, and the renegades of Nashville?
- Book review: 'Outlaw: Waylon, Willie, Kris and the Renegade of Nashville' by Michael Streissguth.
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- Outlaw: Waylon Jennings, Willie Nelson, Kris Kristofferson and the Renegades of Nashville.
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Outlaw Book Takes Wild Ride with Waylon, Willie & the Boys | Houston Press
Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Outlaw by Michael Streissguth. Waylon Jennings. Willie Nelson. Kris Kristofferson. Three renegade musicians. Three unexpected stars.
Three men who changed Nashville and country music forever. By the late s, Nashville, Tennessee, was firmly established as the center of the booming country music industry and home to what was known as the Nashville Sound, characterized by slick production and adherence Waylon Jennings. By the late s, Nashville, Tennessee, was firmly established as the center of the booming country music industry and home to what was known as the Nashville Sound, characterized by slick production and adherence to an increasingly overused formula.
But the city was changing. Young people from all over the country were streaming into the bohemian West End and colliding with three trailblazing artists who would soon rock the foundations of Nashville's music business.
Surrounded by the street vibes of the West End's burgeoning underground scene and the outlaw protest tradition of Nashville's unlikely civil rights leaders and antiwar protestors, Waylon, Willie, and Kris began resisting the unspoken rules of Nashville's music-making machine and instead forged their own creative paths. Their music, personal and not easily categorized, was more in the vein of rock acts like the Allman Brothers and Bob Dylan, and it communi- cated a stark rawness and honesty that would influence artists of all genres for decades to come.
Studded with a diverse secondary cast including Johnny Cash, Rodney Crowell, Kinky Friedman, Billy Joe Shaver, and others, Streissguth's new book brings to life an incredible chapter in musical history and reveals for the first time a surprising outlaw zeitgeist in Nashville. Based on extensive research and probing interviews with key players, what emerges is a fascinating glimpse into three of the most legendary artists of our times and the definitive story of how they changed music in Nashville and everywhere.
Get A Copy. Hardcover , pages. Published June 4th by It Books first published June 1st More Details Other Editions 4. Friend Reviews. To see what your friends thought of this book, please sign up.
To ask other readers questions about Outlaw , please sign up. This would make for a awesome biopic no? See 1 question about Outlaw…. Lists with This Book. Community Reviews.
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Showing Rating details. More filters. Sort order. This book brought back a lot of memories for me of the late 70's when Waylon Jennings, Willie Nelson and Kris Kristofferson became the superstars of country music by breaking the power of the Nashville studio system. Suddenly country was cool and everybody started wearing cowboy boots and hats whether they were from the city or the country with the wildly popular movie "Urban Cowboy" being the culmination of this movement.
Waylon and Willie both had signed with the Nashville studios back in the This book brought back a lot of memories for me of the late 70's when Waylon Jennings, Willie Nelson and Kris Kristofferson became the superstars of country music by breaking the power of the Nashville studio system. Waylon and Willie both had signed with the Nashville studios back in the 60's but their careers were only marginally successful. As hard as the producers tried to make them fit into the mold of their contemporaries in country music they never were able to achieve the success that had seemed possible for them when newly signed.
Country music in the 60's had lush instrumental arrangements with violins and harmonizing background vocals which created quite a few crossover hits but seemed to inhibit the vocal styles of Waylon and Willie. Waylon had been an early rocker in Texas during the late 50's but Nashville only wanted him to sing constrained love songs and softened his edge.